Shikari(1946) was the first Hindi film of Dada Burman as a composer. The songs of the film were not very popular but they received good reviews from music critics. He wanted to create music that would be part of the common man's everyday life, his joy, and sorrow.
In his biography, he said "When I was composing the music of Shikari, everybody in the studio was praising its music but he was not satisfied because the common man present in the studio was not responding. Sometime after the release of his film, another film "Rattan" was released. The songs of that film became so popular that one day he was composing music for another film he heard his servant was singing the song of Rattan while preparing tea for him.
It made him think that day in day out he listens to my compositions but I have never heard him humming my tunes. I made up in my mind that from now onwards I will make a simple tune for his songs so that a common man could sing and understand.
I was composing the songs for Do Bhai whose first line was 'Mera Sundar Sapna Beet Gata'. Suddenly i heard my servant humming the same song. It made me realized that this song is going to click with the masses. My first Guru in the film music direction was that servant of mine.
He combined Indian classical music with folk music to create songs that had a lasting impact on the audience. He also started a trend of making a tune first and then ask lyricists to write on his tune.It provided space for a conversational style of music for songs like Haal Kaisa Hai Janab Ka (Chalti Ka Naam Gaadi, 1958). He didn't believe in a heavy orchestra, he emphasized more on its melodic content. He believed in the perfect coordination of the words and tunes. ‘Natural poetry would naturally create a worth-humming tune, He abandoned intricate twists and turns in his songs, preferring simplicity that touched the heart of the listeners..
Sachin da had the honesty and integrity of character to acknowledge the sources of his music and the genuine inspiration that he received and how he internalized it into his song/s. For example, once at the age of nineteen, he stumbled upon a rare tune sung by a group of village-women in Chittagong (now in Bangladesh). He liked the tune immensely and it stayed with him to bloom into Sahir Ludhianavi’s ‘Thandi hawaein lahra ke aayeen‘ (Naujawan, 1951). Some discerning connoisseurs of western classical and popular music feel that this was inspired by C’est la vie from the movie Algiers (1938).
Dada was a hard taskmaster but he also expressed his joy if a singer, lyricist, or instrumentalist performed exceptionally well and would reward the person in some form or the other.
SD Burman continued to work through the end of the 1960s and well into the 1970s. "Abhiman" (1973), "Chupke Chupke" (1975), and "Mili" (1975), are a few compositions from this period which stands out. However midway through his work on "Mili", he goes into a coma. He died on October 31, 1975.
