The First Ten Films Made Shankar Jaikishan, the Household Name

"Barsaat" was the first film of Shanker Jaikishan and "Patita" was the 10th film from 1949 to 1953. That was the period when Naushad and C Ramchandra were leading Bollywood Music. S D Burman was also emerging. 
Shankar-Jaikishan's compositions broke new ground in Hindi film music. Apart from relying upon their knowledge of Indian classical music, they also employed western beats and orchestration.  They made use of the orchestra and musical instruments (often dozens or hundreds of them) in their songs. 

Song of Barsaat 1949

The music of Barsaat brought freshness in film music, its songs, and background music created new records in the Film industry. Barsat had 12 songs, all the songs were hit. The songs like "Jiya Beqarar Hai", "Hawa Mein Udta Jaye", "Barsaat Mein Humse Mile", " Meri Aankhon Mein Bas Gaya Koi Re" Chhod Gaye Balam",  and " Patli Kamar Hai" became a rage. Each song was new and had vitality beyond the imagination of the music lovers. With this film, Shankar Jaikishan walked into the hearts of the masses. 

Song of Baadal 1951

Baadal*(1951) was the second film of Shankar Jaikishan, Premnath and Madhubala were the lead pair. The film had 8 songs, almost all songs were popular."Aaj Maane, Aaj Maane Na Moraa Jiya ThumakThumak Naache Sawan Ka Mausam Suhana", "Main Raahi Bhatakne Wala Hoon", and "Aye Dil Na Mujhse Chhupa Sach Bataa Kyaa Hua" were very hit.

Song of Aawara 1951

In December 1951, the third film of Shankar Jaikishan," Awara" released' the film was a hit, even more, hit was its soundtrack. The soundtrack was listed by Planet Bollywood as number 3 on their list of 100 Greatest Bollywood Soundtracks. The film has 10 songs and all the songs were hit. Awara Hoon immediately struck "a chord in audiences from various classes and backgrounds all over India and beyond: in China, in the Soviet Union, in the Middle East. The popularity of "Awaara Hoon" led to the creation of localized versions of the song in Greece, Turkey, the Middle East, the Soviet Union, China, and Romania. Awara has songs of all moods. Hum Tujhse Mohabbat Kar Ke", and Aajao Tadapte Hain Arman of helplessness. Ek Bewafa Se Pyar Kiya" a melody by a heroine accepting her mistake and E Do Teen Aaja Mausam Hai Rangeen a joyful song is still in the heart of music lovers.

Song of Kaali Ghata 1951

Kaali Ghata (1951) was the fourth film of Shankar Jaikishan. starring Kishor Sahu and Bina Rai. The title song O Kali Ghata Ghir Aayi Re, O Bajne Lagi Shehnaai Re, Hamse Na Poocho Koi Pyar Kya Hai, became popular. "Ille belle aa re" became so popular due to its catchy tune.

Song of Poonam 1952 

 Poonam came after Kaali Ghata in 1952. The film had 8 songs, all except one song are solo of Lata Mangeshkar. The first song of the film "O bhole balma o more sajna, ghunghar baaje chhun chhun , Aayi Aayi Raat Suhani, and "Din Suhane Mausam" became successful

Song of Daag 1952.

In 1952 Shankar Jaikishan had 4 releases. Poonam, Parbat,Nagina and Daag. The music of all these films was super hit. The song of Daag " Ae Mere Dil Kahin Aur Chal" had 3 versions one fast and sad by Talat Mehmood. This song was as hit as "Awara Hoon" With this song Shankar Jaikishan, introduced a new trend. An exuberant song transformed into melancholy. This was the first experiment in Hindi Film music having the same lyrics but different versions.

Song of Parbat 1952

Parbat was another film of Shankar Jaikishan, it had 7 songs, all the songs were popular."Haye Mera Dil Le Gaya Koi Aake Ishaaron Se", and "Kya Bataoon Mohabbat Hai Kya," were romantic songs, appreciated by the masses. The other popular song " Beraham Maar Daale Na Mujhko Tera Gham, Ab To Aa Ja" sung by Lata with the chorus. This song has few words but the interludes and the voice of the chorus win the heart of listeners.I think this song laid the foundation of the future chorus songs of Shankar Jaikishan. 

Song of Aah 1953

Aah was the 9th film of Shankar Jaikishan, released after Parbat in 1953. It was an RK Film but directed by Raja Nawathe.. The film was rated "Below Average" at the box office but has various hit songs like "Raja Ki Aayegi Baaraat", "Aaja Re Ab Mera Dil Pukara" and "Jaane Na Nazar". The song "Chhoti Si Yeh Zindagani" sung by Mukesh was also picturized on him. 

Song of Patita 1953

Patita produced and directed by Amiya Chakrabarty. The film stars Dev Anand, Usha Kiran, Agha was the 10th film of Shankar Jaikishan, by this time this duo was riding high on popularity, with this film they emerged the leading music director. Patita is especially well known for some very melodious and popular songs that include: "Andhe Jahaan Ke" by Talat Mahmood, "Hain Sab Se Madhur Woh Geet Jinhein Hum Dard Ke Sur Mein Gaate Hain" by Talat Mahmood, "Kisi Ne Apna Bana Ke" by Lata Mangeshkar, "Mitti se Khelte Ho" by Lata Mangeshkar and the duet "Yaad Kiya Dil Ne Kahaan Ho Tum" by Hemant Kumar and Lata Mangeshkar.

Jane Kahan Gaye Woh Din- The Tune of this Song taken from the Background music of Aah(1953)

 

This song was recorded 4 years before the film released in 1970. In fact, Mukesh sang a few stanzas of this song in front of a crowd of 2500 at the Shanmukhananda Hall Mumbai during the Filmfare Award function in June 1967.

The tune of this song was taken from background music in a scene of Aah released in 1953. This piece of music has also been used as a prelude to the song and appears in bits and pieces throughout the movie. Shankar Jaikishan had many times used a tune played in the earlier film and recreate it a new song. 

The writer of this song was Hasrat Jaipuri who wrote 7 stanzas of this song. Shankar Ji. was the original composer of this tune. Jaikishan later composed the full song in Raga Shivaranjani and Bhairavi, Some modifications were incorporated for Mukesh to make it simple.

The background music of Aah(1953)

Song of Mera Naam Jokeer 1970

This Iconic Song was Picturised on Music Director Jaikishan

All the fans of Music Director Shankar Jaikishan and Indian film enthusiasts would be surprised to note that the haunting melody ‘Ae Pyase Dil Bezubaan’ from the film Begunah, sung by the great Mukesh was picturized on Jaikishan. In the song sequence, Jaikishan is playing the piano and also singing.
 This film was released on 8 March 1957 but The film was banned 10 days after its release because it was a plagiarized version of the American film Knock on Wood (1954, starring Danny Kaye, Mai Zetterling). The producers of the film filed a copyright lawsuit in India. They won the case and the judge ordered all prints of Begunah to be destroyed. However, the songs especially Mukesh number "Aye Pyase Dil Bezuban" became quite popular 
There is a story behind this song was that once Mukesh was in need of money and approached Shankar for a song That time Shankar was in the process of composing the tune for the film Gunah. The hero of the film was Kishore Kumar so there was no scope for Mukesh to sing in that film. Music Director Shankar assured Mukesh that he will give him a song in this film. Shankar got his collaborator and friend, the renowned lyricist Shailendra, to write the lyrics and called the film’s producer Mahipatray Shah to tell that the song, which would be sung by Mukesh, would be picturized on Jaikishan. The idea startled Shah, who feared that the song had no relation to the film. But in the late 1950s, Shanker-Jaikishan practically ruled the Indian film music world and Shanker’s word was final,” 
The song was the highlight of that film and Sheila Vaz’s dancing was another major highlight of the song.
Sheila Vaz was a popular dancer in Hindi films from 1953 – 1960. Some of her important films included Shree 420 (1955), where she danced memorably not just to Ramaiya Vastavaiya but also to Dil Ka Haal Sune Dilwala, CID (1956), Johnny Walker (1957), Tumsa Nahin Dekha (1957), Mr X (1957), Solva Saal (1958), Kaagaz Ke Phool (1959) and Bahana (1960).

Shammi Kapoor- A Natural Dancer

 

Shammi Kapoor in his Biography said"The sound of any music evoked in me a strong urge to dance. The rhythm didn't take time to seep into me and seek expression in dance. The urge to dance was always there in him. His brother Raj Kapoor was a good dancer but Shammi was different.

He never had a dance director or a choreographer for his dance songs in any film. He danced to his own style and created his own steps and movements. The first time he got the chance of expressing himself in dance songs was in Tumsa Nahin Dekha, this film redefined him and shot him to bigtime stardom.

In his Biography, he tells "From a very early stage, he wanted to learn dancing but there were no professional dancing schools in Bombay at that time. There used to be a hotel in Dadar, whose owner used to teach Tango dance He took a few lessons from him.

Shammi Kapoor said that it was lucky that he got good songs." I think I tried to give physical expressions to music. My choreography was always done here( pointing towards his heart) and I brought it out on the floor. Telling about the picturization of the song' Yahoo' he said "everybody was satisfied with the song Yahoo recorded after the hard work of Rafi saheb and music director Shankar Jaikishan, now it was my turn to make this song an immortal. This song was picturized in Kufri, not in Kashmir. The setting looked ideal with 12 feet deep snow and the breathtakingly beautiful sight around Everybody was in a fix what will I do?, how will I do?

Shammi further said that he was also not made in his mind about how to do it. Yes it was sure that he had to slide on the snow, The next day in the morning at 7 AM the whole unit collected at the spot from where he had to slide, But just when the camera was to roll, the sun disappeared, they couldn't shoot that day due to poor sunlight. This happened for six days, the song couldn't be picturized Finally on the Seventh-day the song was picturized. Shammi Kapoor said that there was no choreographer, no preparation by himself, whatever he did was spontaneous.

After Junglee every producer and director wanted Shammi to perform the song as per his wish. He said in the book" I used to tell my directors to keep the camera flexible, don't freeze the field, play the music, and let me do the act. That is what he did in most of his songs.

He said for the song Aasman Se Aya Farishta of An Evening in Paris, it was his idea to perform on a helicopter.

His biggest hit Teesri Manzil (1966) broke all kinds of records at the box office — thanks to its music. Composed by R.D. Burman, songs of this movie are considered some of his best works and Shammi’s best dance performances. O Mere Sona Re, O Haseena Zulfonwali Jaane Jahan, and Aaja Aaja Main Hoon Pyaar Tera are still regularly seen on playlists and heard on the radio.

Looking at just one decade of Shammi’s career, it is clear about the kind of stupendous impact that he has had on Bollywood and its audience. He left a mark like no other and even though many have managed to make a name as great dancers, nobody has come close to him — much like the original Elvis Presley.

Song of Tumsa Nahin Dekha 1957

Song of Dil Deke Dekho 1959

Song of Junglee 1961

Song of Dil Tera Deewana 1962

Song of Professor 1962

Song of Kashmir Ki Kali 1964

Song of An Evening in Paris 1966

Song of Teesri Manzil 1967

Song of Brahmachari 1968