Dil Dhoondta Hai- A Song Composed While Cooking

 

This song from Mausam(1976) was written by Gulzar, composed by Madan Mohan, and sung by Bhupinder. The song has two versions, one a solo by Bhupinder and a duet of Lata Mangeshkar with Bhupinder. The solo was used during the titles of the film and the duet was picturized on the young Sanjeev Kumar and Sharmila Tagore.

The solo version happens to be Gulzar's favorite, is by far the soberer and serene. The duet has a faster tempo. Both versions have three stanzas with different interludes. The Mukhada was taken from a Ghalib ghazal with a slight change. In the ghazal, it is 'Jee Dhoondta Hai', Madan Mohan changed it to Dil Dhoondta Hai., since it worked better for the metre.

This wasn’t the only time Gulzar was inspired by Ghalib. He went a step further in the song Satrangi Re, (Dil Se, 1998), in which he wove Ghalib’s couplet into his lyrics, crediting the source by its name.

This song is the pivot around which the film revolves. It connects the characters in time. the first time when the Doctor(Sanjeev Kumar) is traveling from Calcutta to Darjiling by road where he met Chanda decades ago.

Gulzar in a book told that while composing the interludes of the song Madan Mohan was strolling between his music room and his kitchen. He(Gulzar) had gone to his house for dinner. Madan Mohan was a good cook, he was cooking mutton at that time. During that duration, he composed the tune of this song.

Gulzar was one of the contenders for the National Award for that year. Unfortunately, no award was given to any lyricist that yeat. Similarly, he was nominated for Filmfare's Best lyricist award but lost out to lyricist Sahir Ludhianvi for Kabhie Kabhie.

Madan Mohan had a habit of making 5-6 tunes of one song, he then selects the best out of them. For this song too he made 6 tunes one of which was later used in Veer Zara (2004). Here a clipping is given below, you could see his versatility

Dil Dhoondhta Hai - Madan Mohan sings many tunes for one song

Song of Mausam 1975 Solo Version

Song of Mausam 1975  Duet Version

Om Puri- The Actor Par Excellence but Awful with the Women in his Life.

 

Om Puri (18 October 1950 – 6 January 2017) was an actor par excellence. He displayed his skill in Art as well as Commercial Cinema. He acted in more than 300 movies, bringing many characters to life. He was an unconventional hero, he worked in Bollywood and Hollywood, and British Cinema. He was the first Indian actor to be nominated for the BAFTA award for his role as a Pakistani father in East is East.

As per his biography(Unlikely Hero- Om Puri), written by his wife Nandita Puri in 2011 he had relations with many women but couldn't continue long.In this book, she disclosed that he had sex with his maid when he was 14. He then went on to have another deep, personal, and sexual relationship with another woman who was a caretaker of his ailing, old father.

This was his second marriage to Nandita Puri. His first marriage was with Seema Kapoor, sister of actor Anu Kapoor. This marriage ended in 11 months. After 2 years he married Nandita who was a journalist She was 10 years younger than him, he had a son with this marriage. Their marriage was also not going well. Sema, his ex-wife once again emerged in his life. Before he died Om Puri was planning to divorce her and remarrying Seema again.

Now let's talk about his reel life. He is best known for his author-backed roles in films like Aakrosh (1980), Arohan (1982), Ardh Satya and television films like Sadgati (1981) and Tamas (1987) and also light-hearted roles in Jaane Bhi Do Yaaro (1983) and Chachi 420 (1997). 

His film was Chor Chor Chhup ja, a children's film He made his debut in the mainstream films genre in the 1976 Marathi film Ghashiram Kotwal. He came into prominence with Ardha Satya (1982).for which he got the National Film Award for Best Actor;.He had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough).In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, 

His notable roles in commercial Hindi films included Drohkaal, In Custody, Narsimha, Ghayal, Mrityudand, Aastha, Hey Ram, Pyar Toh Hona Hi Tha, Farz, Gadar, Lakshya, Dev (2004), Rang De Basanti, Yuva, Singh Is Kinng, Mere Baap Pehle Aap, Billu, Kyunki, Lakshya, Dabang, Bhaji In Problem, Khap, Bajrangi Bhaijaan, Ghayal Once Again. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009).

On 6 January 2017, Puri died at the age of 66, after having a heart attack at his residence in Andheri, Mumbai

Song of  Pathar 1985

Song of  Pathar 1985

Song of Saanjhi 1985

SIMI GAREWAL- Way Ahead Of Her Time, Excelled in Supportive Roles

 

 Simi has always been ahead of her times. In an era where actresses even refused to kiss, Simi never hesitated from flaunting her svelte figure if the role demanded that. Recall her nude scene in the film Sidhartha which caused some controversy in India.  Her immaculate dressing sense was an inspiration for many

She was excellent in supportive roles, she was one of the heroines of Dev Anand in Teen Deviyan. She played the third angle in Raj Khosla's love story Do Badan (1966) She played a spoilt rich girl in Saathi(1968) who sets her eyes on Rajendra Kumar and marries him -- though he remains faithful to his first love Vyjayanthimala. She was awarded as Best Supportive Actress for both the films.

She was born (17th Oct 1947)in Muktsar, Punjab, India, in a Jat Sikh family. Her father, J. S. Garewal served in the Indian Army rising to the rank of Brigadier. After spending much of her childhood in England, Garewal returned to India while a teenager. Her felicity with the English language induced the makers of the English-language film Tarzan Goes to India to offer her a role. A gangly 15-year-old, Garewal made her debut alongside Feroz Khan in Raaz Ki Baat in 1962

During the 1960s and '70s, she was in several notable Indian films, working with leading directors such as Mehboob Khan's Son of India,  Satyajit Ray cast her in his Bengali film Aranyer Din Ratri (1969), Raj Kapoor in Mera Naam Joker (1970)., She was in a supportive role in Ramesh Sippy's Andaz (1971), In Hrishikesh Mukherjee's Namak Haram (1973), she was the rich but eternally sympathetic voice of sanity who tries to curb Amitabh Bachchan's anger. In Prakash Mehra's Haath Ki Safai (1974), she just threw her long hair around in the hit number, Waada Kar le Saajna.   

By the mid-1970s, Simi's career seemed to have run out of steam. Films like Chalte Chalte, which cast her as an older woman opposite newcomer Vishal Anand did not make waves despite the melodious music; while a blockbuster like Kabhi Kabhie had her in a peripheral role (as Neetu Singh's foster mother). Another notable role she played was as a vamp in Karz (1980). 

 In the early 1980s, her attention turned to writing and direction. She formed her own production company, Siga Arts International. She hosted, produced and directed a TV series for Doordarshan called It's a Woman's World (1983). She also made a documentary for Channel 4 in the UK called Living Legend Raj Kapoor (1984). This was followed by a three-part documentary on Rajiv Gandhi titled India's Rajiv.

In the late 90s, she anchored a talk show in Television   Rendezvous with Simi Garewal which became very popular with the elite class.

Song of Teen Deviyan 1965

Song of Johar Mehmood in Goa 1966

Song of  Do Badan 1966

Song of  Saathi 1968

Song of Mera Naam Joker 1970

Song of Haath Ki Safai 1974

Song of Chalte Chalte 1976

Song of Karz 1980

The Dream Girl Turns 72

 

Born on 16th Oct1948 to a Tamil-speaking Iyengar family, Hema Malini did her early education in Chennai. Her father was later posted in Delhi, where she attended school at the Delhi Tamil Education Association Senior School (DTEA) on Mandir Marg. After Class 11, she quit commencing her acting career.

She made her debut in Hindi films with Sapno Ka Saudagar(1968). She made her mark next in Dev Anand’s Johnny Mera Naam (1970). After that, there was no stopping Hema. In 1971 her next hit film was Andaz and with the release of Sita Aur Geeta(1972), she was among the top 3 heroines of Bollywood.

She went on to star in a number of hit films -- Sholay (1975), Trishul (1978), Meera (1979), Naseeb (1981), and Satte Pe Satta (1982) to name a few. She emerged as the highest-paid female actor of her time (1976 - 1980).

She made a hit pairing with Dharmendra in the seventies,  acted together in 28 films including Sharafat, Tum Haseen Main Jawan, Naya Zamana, Raja Jani, Seeta Aur Geeta, Patthar Aur Payal, Dost (1974), Sholay (1975), Charas, Jugnu, Azaad (1978) and Dillagi (1978).

In 1980, she married Dharmendra, she continued to give hit movies even after her marriage. In the 80s Malini continued to star in big-budget films like Kranti, Naseeb, Satte Pe Satta and Rajput, most of which proved successful at the box-office. She continued to work in heroine-centric roles after becoming a mother, in films like Aandhi Toofan, Durgaa, Ramkali, Sitapur Ki Geeta, Ek Chadar Maili Si, Rihaee, and Jamai Raja. 

In the 1990s, she produced and directed the 1992 film Dil Aashna Hai, starring Divya Bharti and Shah Rukh Khan in the leading roles. She also produced and directed her second feature film Mohini (1995), starring her niece Madhoo, both the films flopped. She then focused on dancing and television work.

After taking a break from films for a number of years, Malini made a comeback with Baghban (2003),^[29] for which she earned a Filmfare Best Actress Award nomination. She also made guest appearances in the 2004 film Veer-Zaara and the 2007 film Laaga Chunari Mein Daag. 

 From 2003 to 2009, she served as an MP to the upper house – the Rajya Sabha, having been nominated by the then President of India, Dr. A.P.J. Abdul Kalam. In February 2004, Malini officially joined the BJP.In March 2010, Malini was made general secretary of the BJP, and in February 2011, she was recommended by Ananth Kumar, the party general secretary. In the 2014 general elections for the Lok Sabha, Malini defeated the Mathura incumbent, Jayant Chaudhary (RLD) She once again won the Lok Sabha election in 2019. She is very active in Politics.

Song of Sapno Ka Saudagar 1968

Song of Johny Mera Naam 1970

Song of Seeta Aur Geeta 1972

Song of Jugnu 1973

Song of Dulhan 1974

Song of Prem Nagar 1974

Song of Sholay 1975

Song of Mehbooba 1976

Song of Dream Girl 1977

Song of Trishul 1978

Song of Meera 1979

Song of Kranti 1981

Song of Satte Pe Satta 1982

Song of Razia Sultan 1983

The First Ten Films Made Shankar Jaikishan, the Household Name

"Barsaat" was the first film of Shanker Jaikishan and "Patita" was the 10th film from 1949 to 1953. That was the period when Naushad and C Ramchandra were leading Bollywood Music. S D Burman was also emerging. 
Shankar-Jaikishan's compositions broke new ground in Hindi film music. Apart from relying upon their knowledge of Indian classical music, they also employed western beats and orchestration.  They made use of the orchestra and musical instruments (often dozens or hundreds of them) in their songs. 

Song of Barsaat 1949

The music of Barsaat brought freshness in film music, its songs, and background music created new records in the Film industry. Barsat had 12 songs, all the songs were hit. The songs like "Jiya Beqarar Hai", "Hawa Mein Udta Jaye", "Barsaat Mein Humse Mile", " Meri Aankhon Mein Bas Gaya Koi Re" Chhod Gaye Balam",  and " Patli Kamar Hai" became a rage. Each song was new and had vitality beyond the imagination of the music lovers. With this film, Shankar Jaikishan walked into the hearts of the masses. 

Song of Baadal 1951

Baadal*(1951) was the second film of Shankar Jaikishan, Premnath and Madhubala were the lead pair. The film had 8 songs, almost all songs were popular."Aaj Maane, Aaj Maane Na Moraa Jiya ThumakThumak Naache Sawan Ka Mausam Suhana", "Main Raahi Bhatakne Wala Hoon", and "Aye Dil Na Mujhse Chhupa Sach Bataa Kyaa Hua" were very hit.

Song of Aawara 1951

In December 1951, the third film of Shankar Jaikishan," Awara" released' the film was a hit, even more, hit was its soundtrack. The soundtrack was listed by Planet Bollywood as number 3 on their list of 100 Greatest Bollywood Soundtracks. The film has 10 songs and all the songs were hit. Awara Hoon immediately struck "a chord in audiences from various classes and backgrounds all over India and beyond: in China, in the Soviet Union, in the Middle East. The popularity of "Awaara Hoon" led to the creation of localized versions of the song in Greece, Turkey, the Middle East, the Soviet Union, China, and Romania. Awara has songs of all moods. Hum Tujhse Mohabbat Kar Ke", and Aajao Tadapte Hain Arman of helplessness. Ek Bewafa Se Pyar Kiya" a melody by a heroine accepting her mistake and E Do Teen Aaja Mausam Hai Rangeen a joyful song is still in the heart of music lovers.

Song of Kaali Ghata 1951

Kaali Ghata (1951) was the fourth film of Shankar Jaikishan. starring Kishor Sahu and Bina Rai. The title song O Kali Ghata Ghir Aayi Re, O Bajne Lagi Shehnaai Re, Hamse Na Poocho Koi Pyar Kya Hai, became popular. "Ille belle aa re" became so popular due to its catchy tune.

Song of Poonam 1952 

 Poonam came after Kaali Ghata in 1952. The film had 8 songs, all except one song are solo of Lata Mangeshkar. The first song of the film "O bhole balma o more sajna, ghunghar baaje chhun chhun , Aayi Aayi Raat Suhani, and "Din Suhane Mausam" became successful

Song of Daag 1952.

In 1952 Shankar Jaikishan had 4 releases. Poonam, Parbat,Nagina and Daag. The music of all these films was super hit. The song of Daag " Ae Mere Dil Kahin Aur Chal" had 3 versions one fast and sad by Talat Mehmood. This song was as hit as "Awara Hoon" With this song Shankar Jaikishan, introduced a new trend. An exuberant song transformed into melancholy. This was the first experiment in Hindi Film music having the same lyrics but different versions.

Song of Parbat 1952

Parbat was another film of Shankar Jaikishan, it had 7 songs, all the songs were popular."Haye Mera Dil Le Gaya Koi Aake Ishaaron Se", and "Kya Bataoon Mohabbat Hai Kya," were romantic songs, appreciated by the masses. The other popular song " Beraham Maar Daale Na Mujhko Tera Gham, Ab To Aa Ja" sung by Lata with the chorus. This song has few words but the interludes and the voice of the chorus win the heart of listeners.I think this song laid the foundation of the future chorus songs of Shankar Jaikishan. 

Song of Aah 1953

Aah was the 9th film of Shankar Jaikishan, released after Parbat in 1953. It was an RK Film but directed by Raja Nawathe.. The film was rated "Below Average" at the box office but has various hit songs like "Raja Ki Aayegi Baaraat", "Aaja Re Ab Mera Dil Pukara" and "Jaane Na Nazar". The song "Chhoti Si Yeh Zindagani" sung by Mukesh was also picturized on him. 

Song of Patita 1953

Patita produced and directed by Amiya Chakrabarty. The film stars Dev Anand, Usha Kiran, Agha was the 10th film of Shankar Jaikishan, by this time this duo was riding high on popularity, with this film they emerged the leading music director. Patita is especially well known for some very melodious and popular songs that include: "Andhe Jahaan Ke" by Talat Mahmood, "Hain Sab Se Madhur Woh Geet Jinhein Hum Dard Ke Sur Mein Gaate Hain" by Talat Mahmood, "Kisi Ne Apna Bana Ke" by Lata Mangeshkar, "Mitti se Khelte Ho" by Lata Mangeshkar and the duet "Yaad Kiya Dil Ne Kahaan Ho Tum" by Hemant Kumar and Lata Mangeshkar.