PRADEEP KUMAR- The Royal Hero of Bollywood

 

When you think of the actor Pradeep Kumar, immediately the image of a Mughal Emperor or a prince emerges in our mind. He was the first choice to play prince/king in numerous Hindi films. He was a hero of many period films. Even though he acted in films of other genres, he is famous for his portrayals of kings and princes. His splendid performance as Prince Salim in Nandlal Jaswantlal’s tragic love story Anarkali, and as Shah Jahan in M. Sadiq’s Taj Mahal, demonstrated his ability to slip into royal roles with ease.

Pradeep Kumar (born Sital Batabyal; 4 January 1925 – 27 October 2001) made his debut from a period film Anandmath(1952), he became a sensation with the Bina Rai-starrer Anarkali (1953) and the Vyjayanthimala-starrer Nagin (1954). He had to face a tough competition with the trio of Dilip Kumar, Dev Anand and Raj Kapoor films. He had limited success in the 5os and 60s. in the 1960s, though Ghoonghat (1960), Aarti (1962) & Taj Mahal (1963) were successful many of his films flopped though he worked with Madhubala and Meena Kumari.

He did not get to act with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in Ghoonghat and Meri Surat Teri Aankhen and with Waheeda Rehman in Raakhi (1963). In 1969, he moved to character roles with Sambandh and Mehboob Ki Mehndi, but did not have many visible roles till Jaanwar and Razia Sultan in 1983.

In 1969, Pradeep saw a glimpse of success once again withSambandh, albeit in a character role. 
He lived a life removed from the spotlight for the next 18 years and died a quiet death on October 27, 2001, at the age of 76.

Pradeep Kumar's famous songs

Song of Anarkali 1953

Song of Nagin 1954

Song of Adaalat 1958

Song of Ghunghat 1960

Song of Aarti 1961

Song of Tajmahal 1963

Song of Chitralekha 1964

Song of Bheegi Raat 1965

Song of Bahu Begum 1967

SAHIR LUDHIANVI- Different from his Contemporaries

 

True to his name "Sahir" which means a magician, he proved to be a magician of words. He painted fascinating images in songs and ghazals, He made his debut as a lyricist with the film "Azadi Ki Raah Par" in 1948. but got fame in 1951 after the release of Baazi, Naujawan, and Saza 

 He did not praise Khuda (God), Husn (beauty), or Jaam (wine). Instead, he wrote bitter yet sensitive lyrics about the declining values of society; the senselessness of war and politics; and the domination of consumerism over love. His love songs, tinged with sorrow, expressed his realization that there were other, starker concepts more important than love.

Close to his heart was the farmer crushed by debt, the soldier has gone to fight someone else's war, the woman forced to sell her body, the youth frustrated by unemployment, and the family living on the street for instance.

 He touched upon issues like poverty, inequality, gender gap, environment, the threat of a war that has not gone away. Some of the challenges are even bigger today than in his time. If he would have been alive today, he would be writing on the self-appointed custodian of religion, the self-serving politician, the exploitative capitalist, and the war-mongering super-powers.

Recall the songs of Pyaasa or Phir Subah Hogi The song Woh Subah Kabhi Toh Aayegi with its minimal background music remains popular.

Sahir was a communist sympathizer, but he never became a member of the Communist Party of India or an agenda-pushing poet. He always expressed his true feelings. Sahir did something which no film lyricist did before. He transitioned his literary poetry from his book Talkhiyaan (1945) into film songs.

Sahir was hardly 58 and at his creative best when he suffered a massive heart attack. This bard from Ludhiana bid adieu to this world on October 25, 1980.

Here are some of his immortal songs

Song of Naujawaan 1951

Song of Sazaa 1951

Song of Baazi 1951

Song of Devdas 1955

Song of Pyaasa 1957

Song of Sone Ki Chidiya 1958

Song of Naya Daur 1957

Song of Phir Subah Hogi 1958

Song of Hum Dono 1961

Song of Taj Mahal 1963

Song of  Chitralekha 1964

Song of  Waqt 1965

Song of  Kabhi Kabhi 1976

Jeevan- The Naarad Muni of Hindi Films

 

Jeevan  (24 October 1915 – 10 June 1987),, played the role of Narad Muni in more than 60 films. Jeevan, born as Omkar Nath Dhar. He has played the role of Narad Muni in more than 60 films. No actor in the history of cinema has played one character so many times.

He wasn’t just Narad Muni, he was also one of Hindi cinema’s most iconic villains. The first time he became a villain in the 1938 film Rajkumari. He is also known for his style of acting and mannerism  He came to Bombay to become a photographer but became an actor. His first film was the 1935 film,

In 1935, he was highly recognized for the role in ‘Romantic India’. In 1942, he was notable for his role in Station Master, and in 1946, he was notable for his role in Afasana.His popularity increased from the 1949 film Mela where he played Mehkoo, who lusts after one of the young village girls. He was also seen in many of Dev Anand's films. Recall him as Heera in Johny Mera Naam. Also, recall his character of Robert in the 1977 blockbuster Amar Akbar Anthony,

Jeevan in Johny Mera Naam

Jeevan in Amar Akbar Anthony

 He also acted in “Naya Daur”, “Rangoli”, “Nagin”, “Do phool”, “Dharam Veer”, “Roti”, “Laawaris”, “Suhaag”, Waqt”, “Darling darling”, “Sangham”, “Naseeb”, “Takkar”, “Chacha Bhatijia”, “Humraaz”, “Aabru”, “ Bandhan”,“Dil Ne Phir Yaad Kiya” and many other films. His last movie was “Insaaf Ki Manzil” and it was released in 1986 

He died on 10 June 1987 at the age of 71.

D N MADHOK- Lyricist First Generation

 

D N Madhok (22 October 1902 – 9 July 1982) was a prominent lyricist of Bollywood in the 1930s to 1960s. He started his career with the 1932 film Radhey Sham. Apart from writing lyrics, he wrote screenplays and directed films. He directed almost 17 films.

Filmmaker and songwriter Gulzar considers two lyricists as tops in the old days. Shailendra in the 50's and D N Madhok in the 40's.The immortal song "Diya Jalao" sung by K. L. Saigal was written by him, He was instrumental in introducing the famous composer Naushad to Bollywood He appointed Naushad as an assistant music director in his directorial venture, a Punjabi film Mirza Sahiban (1939). The first film which Naushad composed as an independent music director was Prem Nagar' (1940). This time also it was Madhok who penned the lyrics for the songs of that film.

He joined Ranjit Movietone in 1939. His career as a lyricist took off with several major successes. He wrote lyrics for popular songs in the 1940s and 1950s for films such as Nadi Kinare (1939), Musafir (1940), Pagal (1940), Ummeed (1941), Bansari (1943), Nurse (1943), Bela (1947), Bhakt Surdas (1942), and Tansen (1943). 

He worked with almost every prominent music director of the 40s and 50s such as Gyan Dutt, Khemchand Prakash, S. N. Tripathi, Bulo C Rani, Khurshid Anwar, Pandit
Amarnath, Sardul Kwatra, Anil Biswas, R. C. Boral, Robin Chatterjee, C. Ramchandra, Sajjad Hussain, Ghulam Haider, Vinod, Gobind Ram, Husnlal Bhagatram, A. R. Qureshi, Roshan, Sardar Malik, Ghulam Mohammad, and Hansraj Behl.

He wrote over 800 songs in his career, some of his notable songs are-

Diya Japao Jagmag Jagmag(Tansen)

Ghata Ghan Ghor Ghor...(Tansen)

Too Kaun Si Badli Mein Mere Chand Hai...(Khandaan)

Aaye Bhi Wo Gaye Bhi Wo...(Namaste)

Milke Bichhad Gayi Ankhiyaan...(Rattan)

Ankhiyaan Milake Jiya Bharmake...(Rattan)

O Jaanewale Baalmawa Laut Ke Aa...(Rattan)

Panchhi Baanwara...(Bhakt Surdas)

Madhukar Shaam Hamare Chor...(Bhakt Surdas)

Pehle Jo Mohabbat Se Inkaar Kiya Hota...(Pardesi)

Toot Gaye Sab Sapne Mere...(Parwana)

Jab Tum Hi Naheen Apne...(Parwana)

Jeene Ka Dhang Sikhaye Ja...(Parwana)

Shikwa Tera Main Gaoon...(Anmol Ratan)

Maine Dekhi Jag Ki Reet...(Sunehre Din)

Song of Mirza Sahiban (1939).

Song of ‘Prem Nagar’ (1940).

Song of Tansen 1943

Song of Rattan’ (1944).

Song of Rattan’ (1944).

Song of Bhakta Surdas (1944) 

Song of Singaar (1949).

Song of .Sunehre Din  ( 1949) 

Song of Rasiya 1950

Song of Dard e Dil 1950

Song of Goonj 1952

Song of Bilwamangal (1954) 

Aaj Kal Tere Mere Pyar Ke Charche- The song created for Dev Anand.

 

This super hit song was originally written and composed by Hasrat Jaipuri and Shankar Jaikishan for Jab Pyar Kisi Se Hota Hai released in 1961to be picturized on Dev Anand and Asha Parekh. But Dev Anand rejected it because he felt it wouldn't go down well with his personality.

When an upset  Jaikishen mentioned Shammi Kapoor about this song, he asked him to play this song for him.he just freaked on it" I love this song"He immediately told Jaikishan to keep it reserved for him, he will use this song in one of his future films.

Shammi Kapoor gave this song to Manmohan Desai who was making 'Budtameez' at that time but he couldn't be picturized for that film. Shammi Kapoor then gave this song to G P Sippy for Brahmachari

This song was picturized on Shammi Kapoor and Mumtaz.Bhappi Sonie, the director of the film, wanted Mumtaz to Wear a Sari in this song but Mumtaz declined saying that she would be uncomfortable dancing in a Sari. Bhappie Sonie then discussed this with the costume designer Bhanu Athaiya who tried something innovative which became a rage as the Mumtaz Sari after the release of the film. She devised the Sari with readymade pleats and a zipper on the side.

The song became hit before the film got released.  People rushed to the theatres to catch a glimpse of this song and its incredible star cast. Mumtaz draped in a  low-waist, unconventional pre-pleated saree, which featured gold gota borders and a frilled hemline form-fitting bright orange saree, paired with a short sleeveless blouse was the attraction. She paired it with gold chandelier earrings, a choker necklace, a hath Patti, and the iconic 60s puffy hairstyle.

The song was one of the Top Songs in Binaca Geetmala of that year competing with Mere Samne Wali Khidki Mein from Padosan. Shammi Kapoor and Mumtaz made the Shake Dance popular in India. The signature tune of this song was its Prelude music. As soon as this music starts, everybody started to tap their feet and shake head.

This song has been recreated multiple times since but nobody has come close to repeating what Shammi achieved.

Song of Brahamchari 1968